Your independent source for Harvard news since 1898

Your independent source for Harvard news since 1898

Explorations and Curiosities

Ubu Abounds

January-February 2016

Julie Atlas Muz and Tony Torn bare (almost) all in portraying power-hungry aspiring royalty.

Photograph by Max Basch/ART


Julie Atlas Muz and Tony Torn bare (almost) all in portraying power-hungry aspiring royalty.

Photograph by Max Basch/ART

Matt Butterfield plays Bougrelas, the crown prince, as well as lead guitar.

Photograph by Max Basch/ART

>


Matt Butterfield plays Bougrelas, the crown prince, as well as lead guitar.

Photograph by Max Basch/ART

>

Ubu Sings Ubu, at A.R.T.'s Oberon  stage in February, is a cleverly adapted, punk-art cabaret version of Alfred Jarry’s Ubu Roi. The 1896 play famously caused a riot in Paris on its opening (and closing) night, but Jarry provoked much more than a sensation. His satirical tale of Ma and Pa Ubu’s savage quest for the Polish throne, although stylized burlesque, rebuked bourgeois complacency and exposed the dictatorial force of infantile behavior. Jarry influenced surrealism, Dadaism, and the Theatre of the Absurd and, for many, his work still speaks to the more grotesque aspects of the world’s social and political landscape.

Ubu Sings Ubu, adapted using Google Translate and co-directed by Tony Torn (who also stars), first appeared off-Broadway, to acclaim, in 2014. It is a raw cauldron of id energy that teeters on the insane—mostly in a good way. Rarely do audiences see their own primitive impulses so fearlessly embodied as by Torn and Julie Atlas Muz, the performance artist who plays Ma Ubu (Jarry’s Lady Macbeth). Torn is half-naked in the opening scene, his white belly wobbling over his jeans; he howls an expletive, glugs a canned beer, cries, then pounds his own buffoonish head. “Ye are a very great rogue,” coos Ma Ubu (sporting a white bra and red tutu) before they laugh and resume their rapacious quest. The stagy sexuality and violence don’t feel gratuitous amid the apt, playful references to Shakespeare. The characters also dance and sing the punk-rock-cum-grunge music of Pere Ubu, the Cleveland cult band Torn has adored since high school. Its members then, and now, are among the countless artists happy to perpetuate Jarry’s (and now Torn’s) brazen experiments.

Harvard Squared

A guide to the arts and culture, history, cuisine, and natural beauty of Cambridge, Boston, and beyond

You Might Also Like:

A portrait of Benjamin Franklin painted by Robert Feke

Robert Feke’s rendering of Benjamin Franklin

Courtesy of the Harvard University Portrait Collection, Bequest of Dr. John Collins Warren, 1856

Benjamin Franklin’s Retirement and Reinvention

Bob Dylan in 1965. Already, the classical world was starting to influence his writing.

Photograph from Granger

Harvard classicist Richard Thomas on Bob Dylan

Maureen Freely

Photograph by Andre Avanessian

Found in Translation

You Might Also Like:

A portrait of Benjamin Franklin painted by Robert Feke

Robert Feke’s rendering of Benjamin Franklin

Courtesy of the Harvard University Portrait Collection, Bequest of Dr. John Collins Warren, 1856

Benjamin Franklin’s Retirement and Reinvention

Bob Dylan in 1965. Already, the classical world was starting to influence his writing.

Photograph from Granger

Harvard classicist Richard Thomas on Bob Dylan

Maureen Freely

Photograph by Andre Avanessian

Found in Translation