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John Harvard's Journal

William James: Summers and Semesters

November-December 2010

An 1866 self-portrait, when James was about 24 years old

An 1866 self-portrait, when James was about 24 years old

Courtesy of the Houghton Library, Harvard College Library/Gift of the James Family/MS Am 1092.2 (54)

William James reading, 1895

William James reading, 1895

Courtesy of the Houghton Library, Harvard College Library/Gift of the James Family/pf MS Am 1092 (1185) #71

Here I and Sorrow Sit, an 1860s, red-crayon drawing echoing James’s depression

Here I and Sorrow Sit, an 1860s, red-crayon drawing echoing James’s depression

Courtesy of the Houghton Library, Harvard College Library/Gift of the James Family/MA Am 1092.2 (55)

James wearing sunglasses in Brazil, 1865, after suffering a mild form of smallpox on an expedition with Louis Agassiz

James wearing sunglasses in Brazil, 1865, after suffering a mild form of smallpox on an expedition with Louis Agassiz

Courtesy of the Houghton Library, Harvard College Library/Gift of the James Family/pf MS Am 1092 (1185) #9

A century after his death in August 1910, William James, M.D. 1869, LL.D. 1903, remains an outstanding figure in both philosophy and psychology. He is as illustrious a scholar as Harvard has ever produced, and one of the very few to shine brightly in two disciplines.

In mid August, the William James Society (www.wjsociety.org) convened an unusual conference, “In the Footsteps of William James,” for the centennial. For its first three days, about 80 Jamesians gathered in Chocorua, New Hampshire (where their cynosure maintained a summer residence from 1886 onward), to sample dozens of scholarly presentations, tour James’s house and barn thanks to the cooperation of its current owners, and enjoy the trails and lake. For the final day, the group decamped to Cambridge, taking in an exhibition of Jamesiana, “Life is in the Transitions,” at Houghton Library (http://tinyurl.com/wjames), which runs until December 23.

The transitions include James’s personal crisis of March and April 1870, an episode of what he called “soul-sickness.” The Houghton exhibit explores several of his life passages using letters, sketches, photographs, diary entries, and lecture notes, as well as a few personal objects like the large envelope he inscribed, “My unfinished book,” which held a working manuscript. There is a touching 1876 love letter to his future wife, Alice Howe Gibbens, that declares, “To state abruptly the whole matter: I am in love, und zwar [namely] (--forgive me--) with Yourself.” There’s also correspondence with his novelist brother Henry James, Litt.D. 1911, whose large, florid script contrasts sharply with William’s neat handwriting. The exhibit fleshes out how James was first hired to teach at Harvard, his academic home for virtually his entire career. It also explores his forays into psychical research, séances, and, of course, several varieties of religious experience. Lastly, it records James’s final transition--with a death mask and a photograph of the beloved professor in repose after passing away at his summer home on August 26, 1910.

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(1 of 9) Typography instructor Herbert Bayer’s design for a cinema (c. 1924-1925) is a stark contrast to the elaborate theaters of the 1920s.
Image courtesy of the Harvard Art Museums and Busch-Reisinger Museum, ©President and Fellows of Harvard College

“The Bauhaus and Harvard” exhibit at the Harvard Art Museums

Portrait of Ruskin by Charles Herbert Moore

Portrait of Ruskin by Charles Herbert Moore

Courtesy of the Harvard Art Museums

John Ruskin, Victorian Radical and Art Historian

Journal from Houghton Library/Photograph by Harvard Library Imaging Services

Houghton Library, MS Eng 1610, vol. 2, frontispiece

Joanna Southcott and “The Songs of Argus Zion”

You Might Also Like:

Click on arrow at right to see full image gallery

(1 of 9) Typography instructor Herbert Bayer’s design for a cinema (c. 1924-1925) is a stark contrast to the elaborate theaters of the 1920s.
Image courtesy of the Harvard Art Museums and Busch-Reisinger Museum, ©President and Fellows of Harvard College

“The Bauhaus and Harvard” exhibit at the Harvard Art Museums

Portrait of Ruskin by Charles Herbert Moore

Portrait of Ruskin by Charles Herbert Moore

Courtesy of the Harvard Art Museums

John Ruskin, Victorian Radical and Art Historian

Journal from Houghton Library/Photograph by Harvard Library Imaging Services

Houghton Library, MS Eng 1610, vol. 2, frontispiece

Joanna Southcott and “The Songs of Argus Zion”