Articles: Arts
A rehearsal scene from The Squirrel Plays
Courtesy of Olivia Munk
Arts
A graduate’s foray into the “real world” of fringe theater
7.19.18
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Photograph by Rose Lincoln/Harvard Public Affairs and Communications
With greetings to the community, and a major faculty appointment, new Harvard president Lawrence S. Bacow sets to work.
New filings in a lawsuit against Harvard over admissions allege discrimination against Asian-Americans.
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Illustration by Jim Frazier
Could place-based policies solve regional economic and social problems?
Illustration by Martin Hargreaves
In the antebellum South, slavery was paired with modern business practices.
Durba Mitra
Photograph courtesy of Durba Mitra
Harvard’s first professor appointed solely in gender studies
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Students
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“Connections” and “Transformations” are both organized around frequent critique sessions,…
Image courtesy of Megan Panzano
Design courses enlarge the College curriculum.
At Harvard African Students Association’s Africa Night (from left): Tom Osborn ’20 of Kenya; Joshua Benjamin ’21, of Phoenix, Arizona (whose ancestors are Angolan but were first brought to Charleston, South Carolina, in the late seventeenth century); Tawanda Mulalu ’20 of Botswana; and Mfundo Radebe ’20 of South Africa
Photograph by Christabel Narh
The Undergraduate looks at Harvard through an African filter.
Isa Flores-Jones and Catherine Zhang
Photographs courtesy of the subjects
The Ledecky Fellows provide an undergraduate perspective on life at Harvard.
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Alumni
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Sandler relishes having her office within MoMA.
Photograph courtesy of Alexis Sandler
Solving legal challenges at MoMA
Recollections and Reflections from the Harvard class of 1957—a benchmark reunion project
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Harvard Squared
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Autumnal mist over Spot Pond
Photograph by Mike Ryan
Just north of Boston, a wild park is filled with forests, lakes, and rocky hills.
Nighttime in the North End
Photograph by Dennis Tangney Jr./Getty Images
“Stories the Chamber of Commerce doesn’t want you to hear”
Every human-powered vehicle must stand the test of traveling on asphalt, through mud, and into the Merrimack River.
Photograph by Lucinana Calvin/Courtesy of the Lowell Kinetic Sculpture Race
Watch human-powered machines prevail—or not—in Lowell.
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At Harvard African Students Association’s Africa Night (from left): Tom Osborn ’20 of Kenya; Joshua Benjamin ’21, of Phoenix, Arizona (whose ancestors are Angolan but were first brought to Charleston, South Carolina, in the late seventeenth century); Tawanda Mulalu ’20 of Botswana; and Mfundo Radebe ’20 of South Africa
Photograph by Christabel Narh
The Undergraduate looks at Harvard through an African filter.
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Arts
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Sandler relishes having her office within MoMA.
Photograph courtesy of Alexis Sandler
Solving legal challenges at MoMA
Nell Painter, a professor emerita of American history at Princeton, now works as an artist in Newark, New Jersey.
Photograph by John Emerson
Nell Painter reflects on leaving the ivory tower for art school at age 64.
Sharmila Sen
Photograph courtesy of Sharmila Sen
A “first-gen” American explores race and assimilation in the United States.
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(Click arrow to see full image) The Game, 1911, ending in a less glamorous tie score than in the 1968 version
Photograph courtesy of the Library of Congress
Boosting the game, and The Game
Arguably the Ivy League’s most dangerous offensive weapon, the Crimson’s return man and wideout Justice Shelton-Mosley ‘19 is a threat to score every time he touches the ball.
Photograph by Gil Talbot/Courtesy of Harvard Athletic Communications
Justice Shelton-Mosley needs only the tiniest bit of space to go the distance.
Harvard Athletics overhauls coaches’ compensation.
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Harvardiana
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Students at the Graduate School of Design created the lion’s share of posters used by student activists in 1969.
Poster courtesy of the Harvard University Archives
An exhibit on Harvard in 1969 opens at Pusey Library this fall.
Illustration by Taylor Callery
The “Tenth Justice” and the polarization of the Supreme Court
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September-October 2018
(Click arrow to see full image) The Game, 1911, ending in a less glamorous tie score than in the 1968 version
Photograph courtesy of the Library of Congress
Boosting the game, and The Game
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Archives
From the archives
American activists unfurl a banner in front of the Supreme Court.
James M. Thresher/Washington Post/Getty ImagesCapital Punishment’s Persistence
An historian tracks the death penalty’s persistence in America.
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A rehearsal scene from The Squirrel Plays
Courtesy of Olivia Munk
A graduate’s foray into the “real world” of fringe theater
Mara Sidmore, artistic director of Applied Theatre Practice at the Bok Center
Photograph by Jim Harrison
A theatre troupe aims for higher ed.
Photograph courtesy of the ART
HEAR WORD! portrays the lives of Nigerian women.
Ensemble members reminisce in Party People, about the Black Panthers and Young Lords.
Photograph by Jenny Graham
Historical plays for a nation “stuck in the middle”
James Bundy, on the Assassins set
Photograph by Jim Harrison
A look at James Bundy ’81, dean of the Yale School of Drama
In this scene from the end of the opera, The Count (James Lesu'i, a graduate student at The Boston Conservatory) begs the forgiveness of his Countess (Christina Bianco ’17).
Photograph courtesy of Jordan Hayashi Photography
With swankier digs and a new name, the undergraduate company continues an operatic tradition.
A gathering of the three Goreys
Photograph by Jenny Anderson
A new play captures the enigma of Edward Gorey ’50.