A.O. Scott at the Quad Cinema, New York City.
Photograph by Robert Adam Mayer
Special thanks to The Quad Cinema, 34 West 13th St. New York , New York
A.O. Scott on watching and reviewing a lot of movies
Claire Chase (left, on contrabass flute) and students (Jessica Shand, Jennifer Wang, Mai Nguyen, and Taiga Ultan), all on flutes, play a work by Vijay Iyer during the ArtLab's opening celebration.
Photograph by Karen Philippi/Courtesy of the ArtLab
The ArtLab debuts.
Click on arrow at right to view full image gallery
(1 of 2) In “Reneepoptosis,” by animator Renee Zhan, three versions of the artist go on a quest for God, traversing an unfamiliar terrain that turns out to be her own body.
Film still courtesy of Renee Zhan
Animator Renee Zhan finds self-discovery in strange landscapes.
The Underground 68 film poster features Widener Library and a hard-at-work Ariel Smolik-Valles ’17. (Click the arrow at right to see the full-size version.)
Courtesy of Peter Coonradt
The premiere of an alumnus’s film about a seminal year at Harvard and beyond
Michele Forman (center) and her students filmed at the National Memorial for Peace and Justice in Montgomery, Alabama, for a project to raise awareness about the history of lynching.
Photograph by Kenzie Greer
Michele Forman ’93 offers her UAB film students technical competency and ethical context.
Last year, ArtWeek featured “art in the dark” projections on Boston Common.
Photographs courtesy of ArtWeek
ArtWeek 2019 offers hundreds of events around Massachusetts.
Carpenter Center: home to Visual and Environmental Studies, soon to be Art, Film, and Visual Studies—a better name for the work done there
Photograph by Kris Snibbe/Harvard Public Affairs & Communications
Renaming Visual and Environmental Studies to signal a clearer focus on making art and film
Unite or Perish, Chicago (1968), by John Simmons
Harvard Art Museums/Fogg Museum, Fund for the Acquisition of Photographs.2018.119
Eighteen photographers capture the 1930s through the 1980s.