Articles: Arts
Arts
Our editors curate their favorite stories about Harvardians on screen.
3.31.20
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President Lawrence S. Bacow
Larry Bacow puts Harvard in the perspective of the pandemic.
Sarah Whiting
Photograph courtesy of Harvard Public Affairs and CommunicaitonsThe new dean has been diagnosed with non-Hodgkin’s lymphoma.
The blue regions are oil palm plantation, while the forest regions (yellows and greens) are colored by tree height, which is a proxy for carbon.
Image courtesy of Global Airborne Observatory, ASU Center for Global Discovery and Conservation Science.The world needs tropical forests—but rainforest destruction continues unabated, and it may be even worse than you thought.
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The blue regions are oil palm plantation, while the forest regions (yellows and greens) are colored by tree height, which is a proxy for carbon.
Image courtesy of Global Airborne Observatory, ASU Center for Global Discovery and Conservation Science.The world needs tropical forests—but rainforest destruction continues unabated, and it may be even worse than you thought.
Karen Dynan
Photograph courtesy of Karen DynanThe severe economic fallout, in context
Tommie Shelby, chair of African and African-American studies
Photograph by Melissa BlackallSpeakers discuss history, progress, hope, and home.
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Photograph courtesy of Lauren Spohn
“We are the generation that is coming of age in the COVID-19 crisis,” writes Lauren Spohn ’20. “We can we build? What can we sacrifice? What risks can we take?”
Professor and platform: William C. Kirby logs on to Zoom from home for his first remote teaching session.
On taking a Harvard Gen Ed class remotely with William C. Kirby
Photograph by Allison Kern/Harvard Magazine
“I feel lucky that I took for granted my Harvard experience before its abrupt end.”
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Loeb House, where the University's governing boards meet
Photograph by Harvard Magazine/JCThe coronavirus pandemic threatened to disenfranchise alumni balloting.
Tommie Shelby, chair of African and African-American studies
Photograph by Melissa BlackallSpeakers discuss history, progress, hope, and home.
Tracy P. Palandjian ’93, M.B.A. ’97, chair of the Harvard Alumni Association Committee to Nominate Overseers and Elected Directors, and Philip Lovejoy, HAA executive director
Photographs: Courtesy of Tracy P. Palandjian and Will Halsey/Courtesy of the Harvard Alumni AssociationOn the eve of a contested election for the governing board, looking under the hood of the nominating process
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At The Homestead
Photograph by Norman Eggert/Alamy Stock Photo
Delving into the world of Emily Dickinson
Photograph by Ryan Carollo
Contra dancing, Balkan music, sea chanteys—and more!
At the French Windows. The Artist’s Wife, (1897), by Laurits Andersen Ring
Courtesy of the Bruce Museum
Images that help unveil the truth of what we can see
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Photograph courtesy of Lauren Spohn
“We are the generation that is coming of age in the COVID-19 crisis,” writes Lauren Spohn ’20. “We can we build? What can we sacrifice? What risks can we take?”
Photograph by Allison Kern/Harvard Magazine
“I feel lucky that I took for granted my Harvard experience before its abrupt end.”
Photograph by Drew Pendergrass
“What will it mean to end our time on this campus with no closure, no time to reflect on what it all meant?”
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Our editors curate their favorite literary stories in Harvard Magazine.
Ken Liu
Photograph © Lisa Tang LiuKen Liu’s speculative fiction on maintaining and transcending humanity
At The Homestead
Photograph by Norman Eggert/Alamy Stock Photo
Delving into the world of Emily Dickinson
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2020 Ivy foil champion Geoffrey Tourette '21 celebrates a point.
Photograph courtesy of Harvard Athletics Communcations
A focus on process leads Harvard fencers to an Ivy championship.
At his seventieth Harvard-Yale game, in 2012, Paul Lee ’46 proudly carried the replica Little Red Flag. Steve Goodhue ’51 is beside him; Spencer Ervin ’54 and Jeff Lee ’74 stand behind.
Photograph courtesy of Judy Goodhue
Are you eligible to carry the (replica) Little Red Flag?
Matt “Happy” Gilmore smiles behind the wheel. Zamboni-driving takes focus, but Gilmore says that he loves waving to children in the crowd and making their day.
Photograph by Jim HarrisonHarvard’s Zamboni operators’ quest for the perfect sheet of ice
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At his seventieth Harvard-Yale game, in 2012, Paul Lee ’46 proudly carried the replica Little Red Flag. Steve Goodhue ’51 is beside him; Spencer Ervin ’54 and Jeff Lee ’74 stand behind.
Photograph courtesy of Judy Goodhue
Are you eligible to carry the (replica) Little Red Flag?
Samuel Eliot Morison
Photograph by Alfred Eisenstaedt/The LIFE Picture Collection via Getty ImagesMorison, Handlin, and a new view of the Mem Hall fire
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March-April 2020
Matt “Happy” Gilmore smiles behind the wheel. Zamboni-driving takes focus, but Gilmore says that he loves waving to children in the crowd and making their day.
Photograph by Jim HarrisonZamboni operators’ quest for perfect ice
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From the archives
Tom Nichols
Photograph by Stu RosnerThe Mirage of Knowledge
Tom Nichols dissects the dangerous antipathy to expertise.
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At the French Windows. The Artist’s Wife, (1897), by Laurits Andersen Ring
Courtesy of the Bruce Museum
Images that help unveil the truth of what we can see
Tani Bunchō, Grasses and Moon (detail), Japanese, Edo period, 1817.
Image: John Tsantes and Neil Greentree; © Robert Feinberg.
Paintings from the Edo period convey “a powerful sense of there-ness.”
Provincetown’s winter harbor
Photograph by Age Fotostock/Alamy Stock Photo
Just enough art, culture, terrific food, and lively conversation....
John Christian Anderson’s Sacrificial Lamb
Photograph by Will Howcroft
Revealing sculptures at the Fuller Craft Museum, in Brockton
Click on arrow at right to see full image
Hasty Pudding Theatricals art from 1910, advertising Diana’s Debut
Image courtesy of the Harvard Theatre Collection
“Shingles” and other art of the Hasty Pudding from the Harvard Theatre Collection.
At the 2019 Artlake Festival in Germany, Chen (in red skirt) and artist Annique Delphine (pink skirt) lead Heal Her, a traveling workshop of collective storytelling and art for sexual-violence survivors.
Photograph by Molly Baber
Lena Chen transforms trauma into art and performance.
Shawon Kinew
Photograph by Stu Rosner
Connecting European Old Masters with the new landscape of art history
Bearden’s stance in this ca. 1940 photograph prefigures his self-portrait in his collage Artist With Model in Studio (shown below), painted three decades later.
Photograph by Sam Shaw, ca. 1940s / Courtesy of the Romare Bearden Foundation
Brief life of a textured artist: 1911-1988