Dress for Excess

Peabody Essex Museum
www.pem.org

Lady of the Wood, by Alaskan carpenter David Walker, is just that: a mannequin sporting an eighteenth-century ball gown crafted entirely of mahogany, maple, cedar, and lacewood. Walker steamed, bent, and polished timber to form a hooped skirt and “puffy” sleeves cuffed by fine-grained lacewood that matches a dainty bodice. Some 32 such ingenious ensembles—selected from winning entries in New Zealand’s annual design competition WOW® World of WearableArtTM—appear at the Peabody Essex Museum through June 11. For 25 years, the popular competition has drawn a diverse set of artists who vie to merge fashion and high art. New Zealand jeweler Sarah Thomas, inspired by the shiny, sleek lines of vintage cars, created her own spunky, don-able version, American Dream, from papier-mâché, builder’s foam, and vinyl. It lacks an engine, but who wouldn’t want to cruise through a party dressed in the ’57 Chevy Bel Air classic?

Read more articles by: Nell Porter Brown

You might also like

“It’s Tournament Time”

Harvard women’s basketball prepares for Ivy Madness.

A Harvard Agenda Shaped by Speech

The work underway in the Faculty of Arts and Sciences

Dialogue, not Debate

American University’s Lara Schwartz, J.D. ’98, teaches productive disagreement.

Most popular

alt text here

AWOL from Academics

Behind students' increasing pull toward extracurriculars

Lola Mullaney, Coach Carrie Moore, and Elena Rodriguez

“It’s Tournament Time”

Harvard women’s basketball prepares for Ivy Madness.

View of Harvard University campus from the Charles River

Why Americans Love to Hate Harvard

The president emeritus on elite universities’ academic accomplishments—and a rising tide of antagonism

More to explore

Winthrop Bell

Brief life of a philosopher and spy: 1884-1965

Talking about Talking

Fostering healthy disagreement

A Dogged Observer

Novelist and psychiatrist Daniel Mason takes the long view.